So it’s not that the D-cut is completely without merit, but I think I’d rather miss the bits I like than keep suffering through the ones I don’t. spoiler question about Rose during Citadel battle against Mathias. Alright guys this thread is over a year old. Another way that released director's cuts can be compromised is when directors were never allowed to even shoot their vision, and thus when the film is re-cut, they must make do with the footage that exists. The film Caligula exists in at least 10 different officially released versions, ranging from a sub-90 minute television edit version of TV-14 (later TV-MA) for cable television to an unrated full pornographic version exceeding 3.5 hours. It is made up of songs from her earlier albums The Sensual World and The Red Shoes which have been remixed and restructured, three of which were re-recorded completely.
Special editions such as George Lucas's Star Wars films, and Steven Spielberg's E.T. Or perhaps just people who. Nothing was cut that I didn't want cut. All the extra scenes we've added back in are just a bonus for the fans." 6. This is a change I actually like quite a bit. 3 Collins’ Crypt: HALLOWEEN 6 - Producer’s Cut vs Theatrical Cut 4 The True Story Of Annabelle, The Haunted Doll From THE CONJURING | Birth.Movies.Death.
Another big difference is the availability of Precision Strikes, targeting specific body parts to inflict status effects. They only met once and didn’t even really get along! A theatrical re-release of Close Encounters of the Third Kind used the phrase "Special Edition" to describe a cut which was closer to Spielberg's intent but had a compromised ending demanded by the studio. Sometimes the term is used a marketing ploy. Horror history is full of classic films that took years to catch on, such as The Shining, The Thing, and Wes Craven's New Nightmare. These features are later added back to the native market in a re-release of a game in what is often referred as the international version of the game. Regardless, if you haven't played it, it's definitely worth picking up. Early examples of films released in this manner include Michael Cimino's Heaven's Gate, where a longer cut was recalled from theaters but subsequently shown on cable and eventually released to home video; James Cameron's Aliens, where a video release restored 20 minutes the studio had insisted on cutting; James Cameron's The Abyss, where Cameron voluntarily made cuts to the theatrical version for pacing but restored them for a video release; Shim Hyung-rae's Yonggary, where Shim made cuts to the theatrical version for how close to the American Godzilla it was and added in aliens and another monster, Cyker. Several of the Pokémon games have also received director's cuts and have used the term "extension," though "remake" and "third version" are also often used by many fans. I noticed that Wasteland 2 has a "text-to-speech" option which does not appear in the Director's Cut. Theatrical Versions. Because that’s… what, something out of a costume drama? Poor Kinderman.
The biggest difference is the additional character options of Perks and Quirks. Give it a break please. For example, Ridley Scott states on the director's commentary track of Alien that the original theatrical release was his "director's cut", and that the new version was released as a marketing ploy. 7. Collins’ Crypt: SESSION 9 Scares Me Even More Now, Collins’ Crypt: HALLOWEEN 6 - Producer’s Cut vs Theatrical Cut, Collins’ Crypt: On The Two Endings Of THE DESCENT, Collins’ Crypt: Diving Into The World Of Al Adamson, Collins’ Crypt: Who You Gonna Read? [citation needed]. I thought of skipping it, because Friedkin tends to drone on and after two special edition DVDs I figure I’ve heard everything he has to say about the movie, and also I’m quite busy of late and thus shouldn’t be spending over three hours (with Q&A and driving) watching a movie I’ve seen ten times, but I wanted to try something.
if you mean typing in dialog thats in the director's cut version. I actually like this bit, though it does drag out the ending a bit too much. Ridley Scott’s 1979 sci-fi/horror masterpiece Alien is one of the most beloved movies of all time, though many people may be unaware there is a director’s cut version with some differences from the theatrical release.. This confusing usage only served to further reduce the artistic value of a "director's cut", and it is currently rarely used in those ways. 6. If we’ve seen the movie, we KNOW something bad is going to happen there, and if we haven’t, then now we’re just confused as to why we looked at a shot of a house before heading off to another country. Severin has unleashed a mammoth boxed set celebrating the cult filmmaker. She might be able to turn into a dinosaur too, but unless she DOES then we don’t need a hint of it since it's not going to pay off.
the Extra-Terrestrial, in which special effects are redone in addition to a new edit, have also caused controversy. This is the first time since Harry Potter and the Chamber of Secrets,[6] that a Harry Potter film has had one. There’s a reason it’s still the highest grossing genre film of all time (you don’t even need to factor in inflation) and spawned enough imitators to make up its own sub-genre – and you can see it in either version. Another big difference is the availability of Precision Strikes, targeting specific body parts to inflict status effects. I can take or leave it. 1. Note – this addition led to the removal of a shot of a perfectly normal Regan at the party, which no longer fit. All of the added content from the Japanese and European versions of those games were included in the expanded editions titled Metal Gear Solid 2: Substance and Metal Gear Solid 3: Subsistence. In 2000, The Exorcist received an extended director's cut, at the time called The Version You've Never Seen, and here's what it changes. It's a cut the director didn't want, an earlier cut that was junked.
This version of the video was later included on Knowles' B'Day Anthology Video Album (2007). Like most folks, I wanted to see the legendary “spider-walk” scene and other changes, but it had been a while since that first viewing, so I wasn’t 100% sure on every change. Karras listening to tapes of Regan. Titan has reprinted the Ghostbusters novelizations for us to occasionally be weirded out by. the Extra-Terrestrial: The 20th Anniversary, Fantastic Beasts: The Crimes of Grindelwald, "Is a 'director's cut' ever a good idea?
Learn how and when to remove these template messages, Learn how and when to remove this template message, E.T. Don’t care much for this part; there’s only so many times I can see a little medallion change hands in such a short amount of screentime. I think they should stop selling the original and just call the Dir cut for wasteland 2. At least they trimmed the Casablanca reference the scene originally ended on (it was available as a stand-alone scene on the earlier DVD release); the D-cut fades to credits just before that groaner. There is no standardization for labelling, leading to so-called "director's cuts" of films despite where the director prefers the theatrically released version, or when the director had actual final cut privilege. Donner completed about 75% of the shooting of the sequel during the shooting of the first one but was fired from the project. 1. Not only does it make more sense out of a later line from Ellen Burstyn (“it’s like the doctor said..”), but it adds to her desperation, as we now have double the “trying science before turning to God” scenes. Another one I hate. Merrin and Karras talking on the stairs in between exorcism sessions.
That version was released stateside as Reptilian and, most famously, Ridley Scott's Blade Runner, where an alternate workprint version was released to fan acclaim, ultimately resulting in the 1992 recut, the first film to use the term "Director's Cut" as a marketing description (and the first time it was used to describe a cut that the director was not involved in preparing). Roger Ebert approved of the use of the label in unsuccessful films that had been tampered with by studio executives, such as Sergio Leone's original cut of Once Upon a Time in America,[2] and the moderately successful theatrical version of Daredevil,[citation needed] which were altered by studio interference for their theatrical release. This sometimes means a happier ending or less ambiguity, or excluding scenes that would earn a more audience-restricting rating, but more often means that the film is simply shortened to provide more screenings per day.
In the extended version the repeated use of the word "shit" in … As the home video industry rose in the early 1980s, video releases of director's cuts were sometimes created for the small but dedicated cult fan market. Among major studio films, the record is believed to be held by Blade Runner; the magazine Video Watchdog counted no less than seven distinct versions in a 1993 issue, before director Ridley Scott later released a "Final Cut" in 2007, bringing the supposed grand total to eight differing versions. Then there are two that I can take or leave. To be honest I'm not sure what the difference is between the Directors Cut and the Move Edition copy I got half a year ago. The author of this thread has indicated that this post answers the original topic.
However, I watched the theatrical first and D-cut second, so it might have just been a bit of fatigue on my part – I’m not the type that watches a movie twice in one week all that often, especially if it’s one I’ve already seen a few times (and adding to that, having to watch another “new” movie for HMAD those days). As the trend became more widely recognized, the term "director's cut" became increasingly used as a colloquialism to refer to an expanded version of other things, including video games, music, and comic books. Cameron specified "what I put into theaters is the Director's cut. Of those remaining four, I downright hate three of them. Other well-received director's cuts include Ridley Scott's Kingdom of Heaven (with Empire magazine stating: "The added 45 minutes in the Director’s Cut are like pieces missing from a beautiful but incomplete puzzle"[3]), or Sam Peckinpah's Pat Garrett and Billy the Kid, where the restored 115 minute cut is closer to the director's intent than the theatrical 105 minute cut (the actual director's cut was 122 minutes; it was never completed to Peckinpah's satisfaction, but was used as a guide for the restoration that was done after his death). also they reworked the way energy weapons calculated damage (conductive armor). May have been social justice morons. Brian, aka BC, has been watching horror movies since the age of 6, and twenty years later decided to put it to good use, both as a writer for Bloody-Disgusting as well as launching his own site, Horror Movie A Day, which Roger Ebert once read and misunderstood the points that were being made.
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