alexander vinogradov wife
Il fait entendre une voix souple, dotée dʼun timbre tellement agréable…On ne pourrait pas sʼen lasser.” The hero of this performance is the extraordinary Russian bass Alexander Vinogradov , solid as a rock and will remain, without fail, until the end of this feat. ” David Fleshler for South Florida Classical Review, “The finest male voice on stage Friday may have belonged to the young Russian bass Alexander Vinogradov, whose Frère Laurent boasted a voice of huge proportions and a very attractive sound. His spine-tingling monologue in Francesca is what opera should be about…the evening belongs to Vinogradov’ Francis Carlin, Financial Times http://www.ft.com/intl/cms/s/0/78cc7590-b055-11e4-92b6-00144feab7de.html, ‘Tant sur la scène qu’à l’applaudimètre, le triomphateur incontestable de la soirée est la basse russe Alexander Vinogradov,..il réalise une performance formidable d’intensité, dans la souffrance et le désespoir (la cavatine d’Aleko, chère à Chaliapine) comme dans la violence, d’une voix richement timbrée, bien projetée et enveloppante, au grain superbe et aux nuances infinies.’ Michel Thomé, Resmusica http://www.resmusica.com/2015/02/10/aleko-aux-enfers-deux-rares-operas-de-rachmaninov-a-nancy/, ‘Les distributions, homogènes, cohérentes, sont dominées par les performances de la jeune basse russe Alexander Vinogradov découvert sur ce même plateau il a peu dans Nabucco de Verdi …il stupéfie par sa présence à la fois puissante et fragile (il est jeune et, mince, beau gosse à l’opposé des personnages qu’il incarne), par son timbre d’ébène lustrée et sa projection parfaitement calibrée. A slender, compact man, Vinogradov deployed a voice of immense richness and power, bringing stentorian dignity to the secret marriage ceremony performed for the two lovers. If anyone wishes to express condolences online, please go to www.copelandfhnp.com. Paco Bueno, El Mundo, ‘Alexander Vinogradov como Procida impresionó por sus dotes vocales , con una voz generosa y de fácil proyección. Dès son entrée en scène au premier sa seule présence révèle un irrésistible charisme qui s’exprimera magnifiquement dans « Le veau d’or » et de façon définitive dans un sarcastique « Vous qui faites l’endormie ». À ses dons vocaux, le chanteur allie une aisance et même une élégance scénique qui font irrésistiblement penser à la beauté du diable.” Louis Bilodeau, Avant Scene Opera, “The outstanding voice, however, belonged to the extraordinary basso profundo of the young Russian, Alexander Vinogradov. His impact is a notch above the rest of the cast’ Rick Perdian, Seen and Heard International http://seenandheard-international.com/2016/04/excitement-on-stage-and-off-makes-for-a-memorable-carmen/, “Unter den Solisten sind vor allem die Altistin Marina Prudenskaja und der Bass Alexander Vinogradov hervorzuheben, die ihre Rollen in herausragender Weise interpretierten. Der Moskauer (40) verfügt über einen raumgreifenden Bass, der noch fülliger wirkt, wenn er aus dem Zuschauerraum (Kirchenszene) ertönt. Alexander will also return to Los Angeles Opera as Philippo II in Don Carlo, and at The Bolshoi as the title role in Le nozze di Figaro. [5] Her daughter, Irina Emelianova, who emigrated to France in 1985, published a book of memories of her mother's affair with Pasternak. Selbst in den Tiefen sind die Töne glasklar, ist seine Diktion deutlich. For my part, it was the first time I heard a bass that brought together subtlety, richness and such a power of voice. Browse through images in Alexander Vinogradov's Floral. Il ne lui manque rien, pas même l’odeur de soufre qui sied au démon. His spine-tingling monologue in Francesca is what opera should be about…the evening belongs to Vinogradov”  Financial Times.

Mit Recht.” Opermagazin.de, “If one singer stands out from the rest of the cast, it’s Alexander Vinogradov. I Know This Much Is True (HBO): Web Series Story, Cast, Wiki, Real Name, Crew Details, Released Date and More I Know This Much Is True is an HBO web series. Fred Cohn, Opera News, In fact, the only other member of the cast who rivaled Yoncheva’s fervent performance was Alexander Vinogradov as the scheming Count Walter, his basso cantante an elegant snarl in his tormented solo “Il mio sangue la vita darei” and various ensembles. [1], Ivinskaya collaborated closely with Pasternak on translating poetry from foreign languages into Russian. “Alexander Vinogradov’s performance as Aleko and then the crippled husband Lanciotto in Francesca is spellbinding, an outpouring of emotional Russian soul, warm but controlled vibrato and an authoritative stage presence. [5] In a 1958 letter to a friend in West Germany, Pasternak wrote, "She was put in jail on my account, as the person considered by the secret police to be closest to me, and they hoped that by means of a grueling interrogation and threats they could extract enough evidence from her to put me on trial. [1], She met Boris Pasternak in October 1946, in the editorial office of Novy Mir, where she was in charge of the new authors department.

Sein Bass ist von einer autoritativen Timbrierung sondergleichen gekennzeichnet, welche das Publikum nachgerade narkotisch in Bann zog. Sikke gyldne stemmer!” Valdemar Lønsted for Information.dk, “Og solisterne?

This season, Alexander will return to the Metropolitan Opera, Staatsoper Hamburg, and Royal Opera House Covent Garden as Escamillo in Carmen, a role that he will also perform for his debut at the Dallas Opera. Opera fans are in for a treat. He showed kindness, love, and giving to anyone who came his way. Eric Sabourin, Les Artsze, 18 September 2019, Martin Prevost, Pieuvre.ca, 19 September 2019, Caroline Rodgers, Ludwig van Montreal, 18 September 2019, Daniel Raymond, Atuvu.ca, 19 September 2019, http://www.guardian.co.uk/music/2013/may/05/royal-liverpool-philharmonic-petrenko-review, http://www.liverpoolecho.co.uk/liverpool-entertainment/echo-entertainment/2013/05/03/review-shostakovich-s-14th-symphony-and-britten-s-symphony-for-cello-and-orchestra-100252-33277154/#ixzz2ScHrRj3x, http://www.palermomania.it/news_rub.php?id=1360, http://www.resmusica.com/2013/05/27/a-turin-oneguine-tourne-en-rond/, http://www.gbopera.it/2013/05/torino-teatro-regio-evgenij-onegin/, http://www.diapasonmag.fr/actualites/critiques/vu-et-entendu-la-nouvelle-conque-de-l-opera-bastille, http://www.musicweb-international.com/classrev/2014/Jun14/Rachmaninov_songs_DCD34127.htm, http://www.classicstoday.com/review/petrenkos-shostakovich-fourteenth-wow/?search=1#sthash.Z0WdEb1h.dpuf, http://www.musicweb-international.com/classrev/2014/Apr14/Shostakovich_sy14_8573132.htm, http://www.ft.com/cms/s/2/cae70e1e-b2e3-11e3-8038-00144feabdc0.html#axzz311ORgJqD, http://www.operalibera.net/joomla/recensioni/spettacoli1/901-carmen, http://www.tagesspiegel.de/kultur/konzerthausorchester-in-berlin-dirigent-dmitrij-kitajenko-ohne-zauberkuenste/10077594.html, http://www.gp.se/kulturnoje/recensioner/konsert/konsert4fyrar/1.2495097-goteborgs-symfoniker-konserthuset-fredag, http://www.theguardian.com/music/2014/oct/05/shostakovich-13-babi-yar-powerful-climax-rlpo-cycle, http://www.pizzicato.lu/auf-diese-cd-produktion-durfen-sie-sich-schon-jetzt-freuen-kitajenkos-prachtige-jolanthe-in-koln/, http://www.der-neue-merker.eu/koeln-philharmonie-jolanthe-konzertant, http://www.estrepublicain.fr/actualite/2014/11/27/trois-abigaille-pour-nabucco, http://www.ruedutheatre.eu/article/2835/nabucco/, http://www.ft.com/intl/cms/s/0/78cc7590-b055-11e4-92b6-00144feab7de.html, http://www.resmusica.com/2015/02/10/aleko-aux-enfers-deux-rares-operas-de-rachmaninov-a-nancy/, http://www.webtheatre.fr/ALEKO-et-FRANCESCA-DA-RIMINI-de, http://www.diapasonmag.fr/actualites/critiques/opera-national-de-lorraine-aleko-et-francesca-da-rimini-de-rachmaninov, http://www.forumopera.com/nabucco-nancy-raffaella-angeletti-sauve-la-mise, http://www.gramophone.co.uk/review/tchaikovsky-iolanta-2, http://magazin.klassik.com/reviews/reviews.cfm?TASK=REVIEW&RECID=28796&REID=15968, http://www.operanews.com/Opera_News_Magazine/2016/4/Recordings/TCHAIKOVSKY__Iolanta.html, http://theaterpur.net/theater/musiktheater/2016/02/e-aalto-faust.html, http://der-neue-merker.eu/essen-faust-premierebln, http://www.derwesten.de/kultur/aalto-theater-in-essen-zeigt-gretchen-im-maerchenwald-id11513980.html, http://seenandheard-international.com/2015/12/placido-domingo-and-a-superb-cast-triumph-in-valencias-macbeth/, http://www.mundoclasico.com/ed3/documentos/doc-ver.aspx?id=7cc230fb-e780-469a-8281-0b1e6f41ac1e, http://www.operaworld.es/critica-de-don-carlo-en-el-teatro-colon-de-buenos-aires/, http://seenandheard-international.com/2016/04/excitement-on-stage-and-off-makes-for-a-memorable-carmen/, http://www.musik-heute.de/13863/eisensteins-iwan-der-schreckliche-erstmals-mit-originalmusik-aufgefuehrt/, http://www.nmz.de/online/restauration-eines-gesamtkunstwerks-eisensteins-und-prokofjews-iwan-der-schreckliche-berlin, https://www.freitag.de/autoren/michael-jaeger/iwan-grosnij-von-eisenstein-und-prokofjew, http://www.operaclick.com/recensioni/teatrale/berlin-konzerthaus-ivan-il-terribile-film-due-parti-di-sergej-eisenstein.

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