1900 full movie

What high hopes were inspired by Bernardo Bertolucci's 1900 -- and how few of them are realized. Dubbing almost never works, but here it's a disaster. With Robert De Niro, Gérard Depardieu, Dominique Sanda, Francesca Bertini. I honestly think that Bertolucci looked for an actress who could do that voice. Sporting a legendary international cast, 1900 is a wonderful story about transcending politics for the sake of one's friends. This is one of the greatest achievements of Vittorio Storaro, a director of cinematography who never ceases to amaze me. Bertolucci assembled an international cast, with each actor delivering lines in his native language, be it Italian, English, or French.

|, July 30, 2019 By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. This happened in real life, most notably during the Third Reich. , Please enter your email address and we will email you a new password. Winner of the Grand Jury Prize at 1982 Cannes Film Festival. December 7, 2007 3/5 - Good. Duncan Foster Writer/director Bernardo Bertolucci seems to have been inspired by the 'Godfather' epic, even to the point where he hired Robert De Niro as one of his lead actors. (There is an odd undercurrent of homo-eroticism through the entire project, complete with de Niro and Depardieu doing full-frontal nudity together during yet another masturbation scene.) Cinemark As the years go by, they see the rise of fascism in their country, and eventually their values find them directly in conflict. Donald Sutherland has always had a gift for playing villains but he set a bar too high even for himself to surpass when he played Attila, the sadistic Black Shirt who crushes kittens to make philosophical points about communism, molests children and kills helpless old people. Check out the Complete List of English Movies released in 1900 along with Cast, Crew, Director, Music Director, Songs & Reviews, © 2020 Spicyonion.com. and the Terms and Policies, '1900' is a gargantuan, multi-lingual, five-hour epic that has some inspired moments but for the most part spins its wheels. |, May 25, 2012 Unwilling kept away from the war thanks to his father's money, Alfredo sees Olmo's return as good news until politics and his inevitable fate of becoming the new padrone get in the way, not to mention his inability to stand up to Attila. The Fascist reign is grey and drenched in winter rains, and only Italy's liberation gives the movie its bright early colors with the coming of springtime. Coming Soon. Don't get me wrong, this film is three hours and a quarter spent well and all, but the point is that this film has more than enough time to meet quality with shortcomings.

Great moments stud Bernardo Bertolucci's 1976 Marxist epic, but the end result is ambiguous. [/b][/u] Man, the film's a little bit old and is so anti-commercial that it ranks among some of your longer feature films ever, and plenty of critics, even in retrospect, aren't that crazy about this thing, and I can't say that I'm completely blind to the complaints. The story is so finely constructed, the actors so good, the cinematography so breath-taking, the music so exciting, that one curses the unavoidable moment when the credits roll down the screen. I don't know if I would necessarily call the film a mess, but it has messy areas and is just too promising - both in terms of potential and making promises - for you to ignore the shortcomings, and that's a shame, because with this filmmaking team, length and subject matter, we could have seen some pretty powerful cinema, rather than this flawed flick that is still quite rewarding, challenging the audience, not simply with shortcomings, but with audacious strengths, and those willing to run with this undeniably inspired epic may not find an outstanding final product, but will most likely be compelled through the thick and thin found throughout a thick runtime. All Critics (19) We want to hear what you have to say but need to verify your account. The action starts the year Italian composer Verdi dies, so it's actually 1901 (Bertolucci knows the Gregorian calendar unlike the majority who believe in pop culture). It's a work of art, it must be watched. Your Ticket Confirmation # is located under the header in your email that reads "Your Ticket Reservation Details". Hm, we're looking at a cast featuring Robert De Niro, Gérard Depardieu, Donald Sutherland and Burt Lancaster, symbolism-heavy reflections of subject matter dealing with Italian politics of the 20th century, and a 316-minute runtime, so do you reckon that this film might be a little bit ambitious? Don’t worry, it won’t take long. |, January 18, 2009 Shannon Richardson, Artist: And it's the worst dubbing job I think I've ever seen. Sanda is also good, even if her role is to be basically annoying most of the time. Directed by Bernardo Bertolucci. , Just below that it reads "Ticket Confirmation#:" followed by a 10-digit number. DeNiro, Sanda, Betti and Depardieu are also very good, with Depardieu outshining DeNiro only because he has a more demanding and visible role. Cinemark

Betti makes a great demonic pair with Sutherland. Casey Strand , I have been saying it time and again throughout this review, and I'm going to say once again that this film, at its apparently most realized, runs five hours and a quarter, and I'm sorry, but that is just way too blasted long, for although this film's subject matter has plenty of sweep to it that Bertolucci takes more than enough time fleshing out, the excessively steady plot structure makes the rises and falls in narrative relatively sparse, and leaves the final product to often wonder down a dragged out path repetitiously, maybe even aimlessly. Still, what the final product ultimately is is worthy enough to bypass its shortcomings as thoroughly engaging, as well as artistically sharp. As much as this movie is about fascism and communism, it's also about class differences and class clashes, and this is shown in the three Berlinghieri generations. | Rotten (8). By creating an account, you agree to the Privacy Policy Parallel to the labour rights movement's organisation is the rise of fascism, embodied by Attila Mellanchini (Donald Sutherland), the Berlinghieri forearm who organizes the local Black Shirts. No review of Novecento can do the movie justice. This is Depardieu's film. J.R. 'Bob' Dobbs & The Church of the SubGenius, Fall TV First Look: Find Out What’s Coming, The Best Peacock Original Shows and Movies, All Upcoming Disney Movies: New Disney Live-Action, Animation, Pixar, Marvel, and More. So the first part, Olmo and Alfredo's birth and childhood, is bathed in bright summer colors; the WWI's aftermath is filmed with autumnal browns. The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides. Nothing is quite so ridiculous as hearing Italian peasants sound like perky American college students. It's a shapeless mass of film stock containing some brilliant moments and a lot more that are singularly uninspired. Fans of Sutherland who wish to see him at his darkest and most intimidating mustn't miss this film. | Rating: 2.5/5 Very often it is laughably bad. Coming Soon. , Duncan Foster, Artist: Do note that I just said that this film is "occasionally" rather dull, because as excessively sprawling and atmospherically chilled as this film is, particularly limp slow spells are more limited in severity than they are sparse, so an even more problematic aspect to storytelling is, as irony would have it, the moments that are much less ponderous and much more, if you will, "fluffy", because as much as the film wants to be taken seriously and can, in fact, be taken seriously, there is plenty of corny comic relief and overly lighter moments, anchored by questionable dialogue and character behavior which can also be found within the dramatic material. A dreadful little politically charged film without any factual evidence to back up the story, it is not only long but the acting and story were both ludicrous, definitely avoid if possible. He does what he can to give the acting credibility, but there's not much you can do when the characterization is so ridiculous. The totality is problematic, but there is enough great cinema to make this an absolute must for all cineastes.

The boys become very close and intimate, so much so that they masturbate together on more than one occasion. I would sarcastically say that it's a big surprise to see Robert De Niro in an epic by a mid-to-late 20th century Italian filmmaker, but it's kind of easy to forget those other Italian epics that featured De Niro, not necessarily because this film tops, say, "The Godfather Part II" or "Once Upon a Time in America" in terms of quality by an immense margin ("The Deer Hunter" was good, too, but jeez, Michael Cimino, pick up the pace a bit), but because it tops most epics starring, well, anybody in terms of length by an immense margin.


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